The Renowned Actor Voices Annoyance Over The Method Approach Being Compared to ‘Acting Insanely’ – Which Is Exactly Why We Love It
It has been quite some time since the public caught a glimpse of the acclaimed actor Daniel Day-Lewis. Following his announcement in 2017 declaring he would no longer work as an actor, just before the release of The Phantom Thread, Day-Lewis quietly faded from view. Yet, during his hiatus, his legend has only grown.
The Mythos of His Acting Method
Largely, this legend centers on his favored approach to roles. As someone who famously immerses himself in the roles he plays – for example, during the Lincoln biopic, reportedly asked Steven Spielberg call him “Mr President” throughout the shoot – the world has grown more fascinated with how he works. Did he really send messages to co-star Sally Field in character as Lincoln? Did he only eat game he hunted during Last of the Mohicans? And did he demand receiving food via spoon for My Left Foot?
Extreme acting methods: have we fallen out of love with actorly excess?
Now, Daniel Day-Lewis is back in the limelight, with some hesitation, promoting his latest movie Anemone. He is using this to express his frustration at how method acting is viewed. “I am somewhat annoyed these days to hear all kinds of people gobbling off and saying things like ‘fully embraced the Method’, which I think is meant to imply that someone is behaving like a lunatic in an extreme fashion,” he stated to a major publication. “Everyone tends to focus on superficial details of the work, and those details typically include some form of self-flagellation or an experience that causes a severe discomfort or psychological strain. However, in the life of an actor, it must mainly focus on the inner transformation.”
An Industry Full of Followers
Frankly, it appears like the actor has emerged from seclusion only to discover shocked by the world that has developed in his image. If you’re regarded as among the best performers in history, and your process includes headbutting a dummy until you break your nose (for Gangs of New York) or enduring two days in isolation deprived of sustenance (for In the Name of the Father), it’s natural that fellow performers will want to emulate that example by trying to mimic your hero.
In other words, we exist in a landscape full of imperfect imitators of Day-Lewis who strive only to show the world the extensive degree of dedication they invest in their roles. On the milder side of this trend we have people like Lady Gaga, who was so desperate to win an Oscar for House of Gucci that she spent the whole campaign attempting to persuade people that she became functionally Italian for a year and a half in preparation.
Additionally, there is Jared Leto, who decided to deeply embed himself into the role of the Joker (for Suicide Squad) through sending “horrifying” presents to his castmates. These, according to various accounts, range from dead pigs and rats to anal beads and personal hygiene products, though the actor refuted the most extreme claims. Then, naturally, we have Jim Carrey, who went so deep into Andy Kaufman for Man on the Moon that filmmakers succeeded in creating a feature-length documentary out of B-roll of him causing difficulties to the utmost for everyone around him.
Contemporary Followers of the Method
The main practitioner of the Method currently would appear to be Jeremy Strong (once an assistant to Day-Lewis), whose approach while filming Succession was so laboriously intensive that it formed the basis of a derisive magazine feature, full of quotes from people who were worried for his behaviour (“It’s the cost to himself concerns me,” said Brian Cox) or extremely irritated by it (“I remember him causing others roll their eyes,” stated an unnamed co-star).
Daniel Day-Lewis claims he ‘never intended to retire, really’
We have so many other examples. Andrew Garfield went celibate over half a year for Silence. Leonardo DiCaprio rested inside a dead animal for The Revenant. It’s quite possible that actor Austin Butler continues to talk in the style of Elvis, three years after the movie’s release. All of this, to some extent, aims to evoke the seriousness in which Day-Lewis takes his work.
An Admirable But Uphill Fight
Moreover, although his rebuttal to critics of the Method could be commendable, a brief promotional cycle may prove insufficient to alter perceptions, let alone their practices. Maybe if he wants to remind people the true essence of the Method, or to show them what it can achieve, then the optimal strategy for Day-Lewis is to simply begin producing more films. Surely we could all get behind that.